On Monday it was a song about a downtrodden, depressed household pet (Joey the Budgie - do keep up!); today we're featuring a band who are actually (chortle) called Pets. Imagine that. And here they are in picture form, looking by turns mean 'n' moody and, well, quite smiley really.
Hailing from Sweden (just for a change), and describing their music as "Hawaiian gutter pop", Pets have had a number of demos up on their website for a couple of years now. The best of these by a country mile is the brilliant A Good Day For Telling Lies, which, typically, seems to have disappeared from the site now after a recent revamp. Bah! Thwarted again.
But wait! As luck would have it, I have an mp3 of this very song to hand. It really is pure pop perfection, and may just be the best song you download all week. Don't believe me? Then get yer lugholes round this, tweacle! (Oh dear, I appear to have turned into Pete Beale here.)
Superb, no? The band have also, as of 2008, landed themselves a deal with April 77 Records, and an official 7" release for A Good Day For Telling Lies, presumably with a shiny new remix, is on the way in September. As Pete Beale himself might have put it - blimey!
I first encountered The Incredible Moses Leroy in my early internet days when I was searching for information about the band Fuzzy. I accidentally stumbled into a not entirely legal download of his song of that name. They say history repeats itself....
I was seduced by three minutes of confusingly spiky lyrics disguised as beautiful fluff and, since The Incredible Moses Leroy isn't the kind of name you forget in a hurry, I remembered to seek him out again. Initially when I first read the pseudonym of ex-substitute teacher Ron Fountenberry, I dug my heels in. "The Incredible Moses Leroy?" I thought, in the manner of a sulky teenager (which I was), "I think I'll be the judge of that thankyouverymuch MISTER Leroy!" In fact, Moses Leroy was the civil rights activist grandfather of the man behind the music, and the preceding adjective was a nod to Fountenberry's love of comic books. So that's alright then. No ego the size of America at work here!
It's difficult to know where to place TIML (my typing fingers are getting tired) genre-wise. Not that it's especially important to box everything up neatly, but when you're trying to persuade people to download and buy music, it's helpful if you can at least hint at what they're going to get! The next song wouldn't be entirely out of place in the decade to which it refers, and is a nice balance of guitars and a slightly more electronic sound.
Some of the songs on album these come from are really not my kind of thing - too much electro-pop and even a whiff of jungle. But My Best Friend is straight up noise-pop. Come to think of it, there is a hint of electro in there too, though not enough to put me off!
Four albums were released under The Incredible Moses Leroy moniker: Bedroom Love Songs (1998), Growing Up Clean in America (2000), Electric Pocket Radio (2001) and, in 2003, Become The Soft.Lightes, which he did by joining with members of El Ten Eleven to form the Softlightes.
You can buy Electric Pocket Radio which all today's tracks were taken from at amazon.co.uk, and visit Ron Fountenberry's current project, the Softelightes, at their website.
There's a spot of time travelling in store with today's Three Of A Kind, as we venture back to 1984 and the Gallup UK singles chart for the week ending the 28th April - ie exactly twenty-four years ago this week. So join us, if you will, as we take the Tardis of trivia back to those crazy days.
Wikipedia informs us that April '84 was a month in which, amongst other things, the following newsworthy events were taking place: Advance Australia Fair was proclaimed as Australia's national anthem, and green and gold as the national colours; British comedian Tommy Cooper suffered a massive heart attack and - literally - died on stage; the 56th Academy Awards, hosted by Jack Lemmon, were held at the Dorothy Chandler Pavilion, with Terms of Endearment winning Best Picture; and the term of Sultan Ahmad Shah as the 7th Yang di-Pertuan Agong of Malaysia ended (I'm sure we all remember where we were when that story broke).
But never mind all that, it's the platters that matter here (pop pickers), so here's how the UK Top 10 was looking this week in April 1984:
1. HELLO - Lionel Richie 2. AGAINST ALL ODDS (TAKE A LOOK AT ME NOW) - Phil Collins 3. I WANT TO BREAK FREE - Queen 4. YOU TAKE ME UP - Thompson Twins 5. THE REFLEX - Duran Duran 6. A LOVE WORTH WAITING FOR - Shakin' Stevens 7. WHEN YOU SAY YOU LOVE SOMEBODY (IN THE HEART) - Kool and the Gang 8. GLAD IT'S ALL OVER - Captain Sensible 9. PEOPLE ARE PEOPLE - Depeche Mode 10. LOCOMOTION - Orchestral Manoeuvres In The Dark
Hmm, not exactly the most inspiring list ever, eh, readers? It's ironic that, the higher up that chart you get, the poorer (or at least more annoying) the songs become, culminating with Lionel Richie's treacly Hello, the song that launched a thousand sickbags (or was that just the video?). But all is not lost - far from it! - as there were some absolutely cracking songs lower down the pop 40 that week, including these three gems:
I'm Falling by The Bluebells - which was, ironically, climbing up to #15 in this week's chart, on its way to a peak of #11 the following week. This was the Scottish combo's first real chart breakthrough, and it's still sounding as good as ever today.
Next up - or down, if you like - is Just Be Good To Me by The S.O.S. Band which, unlike the aforementioned Bluebells hit, was actually falling this week, four places to #17, having just peaked at 13. A classic Jimmy Jam and Terry Lewis production, this is miles better than the Beats International cover version that topped the UK charts six years later. Ain't it always the way...
Last but not least today is Someday by The Gap Band, which was also plummeting, from its previous week's peak of #17 to 25 this week. This frankly marvellous song features backing vocals and harmonica courtesy of one Stevie Wonder. Just in case anyone was in any doubt as to Wonder's presence on the record, Charlie Wilson, the Gap Band's lead singer, shamelessly namedrops the Motown legend when urging him to "play it, Stevie", just as the harmonica solo kicks in. I think we can forgive him such antics, though, as this song is the absolute bee's knees. (I was saying much the same thing to dear, dear Larry Olivier shortly before he popped orf, don'tyaknow...)
Last time I wrote about Hari and Aino, they had just released a single on Cloudberry Records. This year in March they released their first full-length album on Plastilina Records and I finally got around to buying it a couple of weeks ago. I'd really been looking forward to hearing more from this great Swedish band and I wasn't disappointed! Here's a couple of tracks from the eponymous Hari and Aino album:
There are ten tracks in all and I haven't found a weak one yet! My current favourites are Lousy Day and Your Heartache And Mine, but this genuinely is a high-quality record full of catchy gems. You can hear more from the album on Hari and Aino's myspace page and buy it from Plastilina Records.
I get the feeling that this is one of those albums that I'll never get tired of and love more and more as time passes, which is exciting as I already love it quite a lot! If you like jangling guitars, sweet female lead vocals and direct lyrics (quite frankly, who wouldn't?!), Hari and Aino might be right up your alley.
Regular readers will know that we here at TMAP are big fans of Action Biker and the music of Sarah Nyberg Pergament in general (like a school science fair, she has many projects), so you can imagine how delighted we were when, after six years of making music under the name, it was announced that a debut Action Biker album was finally being released this spring, on Sweden's excellent Friendly Noise label. And, as of this week, that time has finally come. Woo, and indeed, hoo!
For anyone who might not have heard any Action Biker songs before, Sarah describes her music as "baroque on synthesisers". Bloomin' fab it is too - highly accessible synth pop with distinctive vocals to boot. The album, Hesperian Puisto (named after a park in Helsinki where Sarah lived for a while - lived in the city, I mean, rather than the park itself), features a whopping 14 brand new recordings and can be purchased in the CD format for a measly 16.50 Euros from the Friendly Noise webshop or (from Monday 21st April) as a download from the Klicktrack mp3 shop. (links for both these sites can be found at the end of this post.)
But enough of the commerce side of things. The proof of the pudding is in the eating so see if you like the, umm, taste of these musical portions from the album: Be Myself, Love For Sure and A Fight, sung live by Action Biker for a Digfi studio session earlier this month:
Fantastic, eh? Can't wait to hear the album in its entirety!
Buy the Hesperian Puisto CD - buy it! - here or buy the album as a download (from Monday) here.
Today I'd like to take you back (back! back!) in time to the dim and distant days of autumn 2006. They were simpler times, for sure. Cast your mind back: to a time when Ashes To Ashes was just an old David Bowie song; to when a Facebook page would simply be an excerpt from Dirk Benedict's autobiography (thanks to Savage Sounds for that joke, which I'm shamelessly filching here!). Oh, and there was none of this new-fangled talk of so-called "credit crunches" - in '06 this phrase would only ever have come up if you were asking your local newsagent to let you have a bar of chocolate on the slate - a credit Crunchie, if you will.
It was also around this time that Swedish whippersnappers Lucky Lucky Pigeons were releasing their debut Happy Birds Day EP, which included one of the tracks we're featuring today, the fantastically-titled Who Smells Marshmallows. Think of a combination of a kind of Swedish Shampoo, Bis and Kenickie and you won't be a million miles away from the LLP sound.
Oddly, though, this EP didn't include today's other featured song, Keep On Kingie, which is perhaps their best track of all, and which seems to have been around for as long as their other stuff. Ah well, perhaps this one will be appearing in some form on their second EP, which, according to the band's MySpace page is in the process of being recorded right now (or last month, if you really want to split hairs). More news on that as and when it surfaces, but in the meantime enjoy these fantastic blasts from the, er, fairly recent past actually.
When I've had a song stuck in my head for a week and I'm still not ready for something else to take its place, I consider that a good sign. This week my mental jukebox has mostly been playing...The Simple Carnival.
The Simple Carnival is Pittsburgh-based one-man band (but not in the horn between the knees way) Jeff Boller, and he makes classic pop songs. He makes it seem so damn simple, too! Nip over to his myspace page and have a listen to Caitlin's On The Beach and The Girls Upstairs - don't they sound instantly familiar? They seem so effortless. I absolutely love everything I've heard thus far so I'm about to go and order everything I can from here on The Simple Carnival website. (You can get a CD and mp3 download of most recent EP release Me And My Arrow for $5 plus shipping or just the download for $4. Fantastic!)
But here's my favourite song, which just won't stop playing in my head, and I don't really want it to. It's like the Beach Boys messing around with a long-lost Bacharach song or something.
It's also a song which will make it onto my potentially brilliant self-pitying mixtape, should I ever get around to making it. For now it's my favourite song of the moment and it looks set to stay that way for a good long while!
You know how every now and then a song comes along that you just can't stop listening to? Something you have to keep playing again and again because of its sheer, ineffable wondrousness? Well one such instant classic has entered my consciousness in the past 24 hours - a song which I'm certain is going to remain a favourite of mine for, well, until such time as I pop my clogs, really.
It has everything the discerning comedy pop fan could want: a rousing, singalong chorus; some poorly impersonated Scottish accents (and one real one); bits of a classified Pools check; and even a mention of curling! What more could you possibly ask for?
The track in question - The Highland League - is from blog favourites I, Ludicrous, and, rather thrillingly, is from their brand new (well, actually two months old, but new by my standards) Dirty Washing CD, which can be bought, along with other fantastic I, Ludicrous merchandise, for a trifling £5 direct from the band's official website. I'd strongly recommend you do exactly this, anyway, as the CD is full to bursting with acerbic pop gems.
Here's a full track listing:
1. Argument in the Laundrette 2. The Highland League 3. The Ruby Wax Song 4. Chav It Up With Jeremy Kyle 5. Finding Things Out About John
You really haven't lived until you've heard Chav It Up With Jeremy Kyle!
But anyway, yes, on to the matter in hand. You can keep your namby pamby lowland leagues, here - strictly for one week only - is I, Ludicrous' anthemic tribute to the one and only Highland League. Och aye!
You know, there are sometimes things which are good to listen to which aren't music (shocking, isn't it?). Adam and Joe's Saturday morning show on 6music is one of them. Adam and Joe first came to a lot of people's attention with their sketches and soft toy re-enactments of films on The Adam And Joe Show between 1996 and 2001, and they hosted a successful radio show on XFM before they came to 6music.
An excellent part of their 6music show is Song Wars, where both chaps write and record a humourous song on the same topic and listeners vote on the best effort. The subject last weekend was a Kate Nash-style song and they really outdid themselves! Not only did they accurately mimic Nash's sound, they also managed to make their songs very funny. Plus I've not been able to get those catchy tunes out of my head since first hearing them. Kate Nash really seems to get on a lot of people's nerves. Having only heard about two of her songs I must confess I'm not that bothered either way - I've somehow managed to avoid her without having to try too hard. Apparently Adam and Joe were similarly unfamiliar with Nash and so took her album away to listen to. Hearing the common aspects that they both picked out (affected accent, obsession with bums and complaints about a rubbish boyfriend), such irritation seems understandable!
You can hear Adam and Joe's show on 6music every Saturday from 9am-12pm, and each episode will be up on the listen again feature for a week after broadcast.
I had a great find in a charity shop the other day: a 40-track double CD entitled The Greatest 80's Soul Weekender. Now, overlooking the erroneous apostrophe, the title of this album was always going to prove an irresistible draw for me, being that it contains two of my favourite words: eighties (or, in the ungrammatical parlance of whoever designed the sleeve, eightie's) and soul.
Actually, while we're on the subject of the title and cover, the tagline isn't too clever either: 40 WHISTLE STOMPING WHITE SOCK SOUL GROOVES OF THE 80'S. Eh? Is it actually possible to stomp one's whistle, then? I suspect not. Unless that's some kind of trendy eighties euphemism I'm not yet au fait with, e.g. I see that Stedman from Five Star's been stomping his own whistle again.
The only other possible explanation I can come up with is that the makers of this album are actually encouraging us, a suggestible album-buying public, to literally stomp on any whistles we should happen to encounter - which is a worry, to say the least. I mean, whistles are people too, you know.
But let's not get too bogged down in semantics here. It's the music that matters; and the music on this album is, for the most part, bloody fantastic. Here are three of my favourite tracks.
It's late, I'm tired, I've got a headache, so the artist I've been planning to blog about is just perfect for such a time. Listening to Vashti Bunyan is like having someone whisper a lullabye in your ear. When I tell you to crank your stereo up for this one, it's so you can actually hear her singing. Vashti Bunyan's music reminds me of those girls with faraway looks in their eyes, who wander round singing to themselves, hoping that no-one will notice them.
There are several things you've probably heard about Vashti Bunyan which are all true.
1. She is a direct descendant of John Bunyan who wrote The Pilgrim's Progress.
2. She and her boyfriend travelled to Donovan's commune in the Outer Hebrides by horse and wagon, but took so long about it that the idea had already collapsed by the time they arrived. It was on this trip that she wrote most of her debut album Just Another Diamond Day.
3. On its release in 1970, it was met with a critical mauling and the indifference of record-buyers. Bunyan went off to live with her family in the Outer Hebrides and didn't realise she had become a cult folk music hero until she typed her name into an internet search engine in 1997. Just Another Diamond Day was re-released in 2000 to much greater success.
4. The title track from Vashti Bunyan's legendary debut album was used in an insufferably smug mobile phone advert in the UK. Please do not hold this against her.
Aside from the beautiful (one might even say timeless) melodies which dig straight into my heart, the thing I love most about Vashti Bunyan's music is the way you can hear every noise her mouth makes as she sings. It gives the kind of intimate listening experience that you usually only get from a live performance. This is folk music at its absolute, moving best:
P.S. Please enjoy Vashti being completely unsuited to performing pop music with Some Things Just Stick In Your Mind. Bring back Twinkle and her dynamic performance!
It's an idea that's as brilliant as it is simple: for your music promo video, you approach people in the street, slap a pair of headphones on them and play them your song. Then simply film their reactions as the song plays and voila! You have your music video. This is just what Californian rascals CAKE did for their 2001 classic Short Skirt/Long Jacket. I probably haven't explained the whole thing very well, and you're probably well acquainted with the song and video anyway, but never mind - the important thing is, they're both great! Have a look and a listen:
(unfortunately the only embeddable version of this I could find has an annoying 15-second advert at the start, so apologies in advance for that)
Tonight I watched Headcases, ITV's new, allegedly satirical CGI impersonation series "based on current affairs" - ie a load of ropey old sketches about all the usual ITV-demographic-friendly suspects: the Beckhams, Jordan & Peter Andre etc etc. So far so yawntastic. I mean, do we really need another show satirising the lifestyles of the rich and vacuous? OK, so Posh is annoying, talentless and stick-thin, and Jordan has massive knockers. WE GET IT. If that's biting cutting-edge satire then me grammar's dead good, like. Innit.
So yes, this obsession with celebrity was grating, to say the least; it ran through the show like the name of a seaside town through a stick of rock. A shame, as this programme could have genuine promise if only they'd aim their sights a bit higher a bit more often.
Still, it wasn't entirely without merit. I liked the sketch where the two royal princes tried pretending to be normal guys - they blew things slightly by asking for caviar toppings on their takeaway pizzas and then getting their bodyguards to feed the food to them by hand. Well it (almost) made me laugh anyway!
The sketches about Gordon Brown and David Cameron were both good too - although the producers seem to have felt compelled to shoehorn in as many celebrity references as possible - Amy Winehouse, Pete Doherty, Britney Spears etc etc - into even these small sections of the show, like they daren't risk incurring the wrath of an apolitical viewing public, or something. Very frustrating, and all a far cry from the heyday of Spitting Image, when the politics-celebrity/royal percentage ratio of sketches was probably around 60-40; with Headcases it seems to be about 20-80.
Bearing in mind this new series was created by Spitting Image alumnus Henry Naylor, and that it's being broadcast in the same timeslot, on the same channel and on exactly the same day of the week as its illustrious predecessor, Headcases was probably always going to be on a bit of a hiding to nothing, but I still think we could have expected a bit more from it than the mostly patchy fare served up in episode one. That CGI animation's no substitute for good old latex puppetry either! Speaking of which...
Shameless self-indulgence abounds on today's Three of a kind as we commemorate the occasion of my and Spike's first ever go at curling, last night, at England's only dedicated curling rink.
Now, some people are very sniffy about curling and dismiss it as being merely housework on ice and not really a proper sport at all. But these people are clearly lazy, easily-pleased morons who are probably just parroting a smartarse comment Rory McGrath or someone once made for a cheap laugh on They Think It's All Over, after Rhona Martin's team won Olympic gold for Scotland Great Britain in 2002. It's actually a great team sport which must take a hell of a lot of skill to perfect and perform at the highest level - and it's thoroughly enjoyable to participate in to boot. All that sweeping really wears you out too!
Anyway, while the Too Much Apple Pie crew may not have emerged as curling prodigies or dead certs for the GB team at the next winter Olympics (or even spotted anyone doing it sans clobber), we didn't 'alf have fun. Which is what it's all about at the end of the day, right kids?
Motorbikes = death. Sudden, heartbreaking death. But cool death. This is what pop music teaches us. I have learnt my lesson well and you can thank my parents' music taste for the fact that I've made it this far in life! Both songs today were released in 1964 and were staples of my childhood. Oh, and the BBC banned them both. Nice work, Beeb!
My favourite motorcycle death song is The Shangri-Las' Leader Of The Pack, with its famous spoken introduction and revving sounds. In life, it only takes someone to say, "You get the picture?" and I'm off, singing the whole thing! There's a certain amount of doubt over the origins of this song. It's credited to George "Shadow" Morton with Jeff Barry and Ellie Greenwich but Morton claims he only added the others to the credits for business reasons. Even Billy Joel has tried to get in on the act, claiming he played piano on the record, but this has been denied by Greenwich. Anyway, forgetting all that nonsense, here's the song!
The second song is by Twinkle, possibly the most inappropriately nicknamed singer ever. There's not a whole lot of twinkling going on. Perhaps I'm being unfair, since the only footage I've ever seen of her is when she's singing about being partially responsible for the death of her boyfriend. Fantastic song!
A spot of traffic control device-based hilarity for this April Fool's Day, with the (literally) unsung Monty Python classic I Like Traffic Lights. If listening to this song doesn't cause you to laugh out loud at least once - or preferably quite a lot - there's really nothing I can do for you.
Bertie Fridays #4: What The World Needs Now...
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Time for Bertie the dog to pick another of his favourite music Berts... or
Burts in the case of this week's star.
I'm sure I can't tell you anything abou...
You Call Jim Webster
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Friend Reggie draws our attention to this 1995 letter from John le Carré to
Stephen Fry. Fry had suffered a breakdown and done a bunk while performing
in a...
Pot Black
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Steve Davis was at the record fair a few days ago. He of snooker fame. This
is the fourth time I’ve come across him at my local record fair. On all
four oc...
...a wishing well into which I throw my dreams...
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Same, David Quantick, same...
[image: David Quantick speaks truth on BlueSky, 23rd Jan 2025]
Having said that, David's novel All My Colors is excellent.
2024 Albums
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I seem to dust off the old blog a couple times a year for these lists,
because what good music blogger doesn’t like a list. Even though this sight
doesn’t ...
New album on the way - help needed!
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I've spent the last couple of months working on my first album. Tentatively
called "Et Tu?" it is a deliberate attempt to write and produce songs that
cou...
December 6 - 19, 1984
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[image: Smash Hits, December 06, 1984]
(click on the image to see the full issue)
*Cover*: Strawberry Switchblade
*Centrespread*: Annie Lennox
*Back cover*...
Heartstopper
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Charlie would like to tell Nick that he loves him. Nick also has something
important to say to Charlie. Thursday on Netflix The Lord of the Rings:
Rings o...
John Peel - 5th September 1992
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Featuring sessions from Papa Wemba and Pavement.
Listen Here
*Putters - Muscle Car (Empty)Pavement - Secret Knowledge Of Back Roads ...
Rest Easy Dad
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Andy Wingate 02 May 1939 - 05 June 2022Today we say goodbye to my dad. My
brother, my mum and myself will be performing the service, as my mother
says "n...
Tips voor het opzetten van een administratie
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Het opzetten van een administratie is niet de leukste klus, maar het is wel
noodzakelijk. Het is echter ook niet de makkelijkste klus en er komt een
hoop b...
Best releases of the month – JANUARY 2020
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The start of the year is usually slow for new releases, but this year some
real gems have already been released . Here is my summary of the releases I
love...
37, in dog years?!
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Came back home and Xander had ate all the birthday cupcakes for his human
brother.
The post 37, in dog years?! appeared first on Dogshaming.
Kane Strang: "My Smile Is Extinct"
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Pop and New Zealand are usually a successful cocktail, and such is the case
with Kane Strang's new single, the absolutely brilliant *" My Smile Is
Extinct...
Beermat of the month
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This series idea has not proved to be the goldmine of blog posts that I
expected, to be honest. Beermats these days are pretty boring. It's a
shame. But ...
NAT JOHNSON Neighbour of the Year (2014)
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Anoche nos dedicábamos a la casi siempre gratificante labor de rescatar
videos musicales de grupos que habiendo aparecido por aquí en el pasado han
quedado...
Summer Days Are Forever
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Summer Days Are Forever from songsforgirlsBlog on 8tracks Radio.
This will be the last mix for a while. Six months of summer is upon us
here, and sorry I ...
Talking Bush...
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Need to spread the word on this one, so for this single (?) occasion I'm
bringing the blog back to life. *Talking Bush* from *Russia* has published
just on...
Hi-Fi Sound Stereo Test Record
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Do you remember when people cared so much about the sound quality of their
'Hi-Fi' that they actually purchased albums to help set them up and test
the qua...
MUSIC
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Morrissey book review
He submitted an episode of Coronation Street which ended with Ena Sharples
saying: 'Do I really look like a fan of X Ray Spex?'
Tr...
Our Favourite Comedian
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In the early 80’s me and Trev met at Manchester University. We were doing
degrees in Drama (one each). I can’t speak for Trev, but I was hardly the
most ac...
El Regalo de Silvia-Dulces Lágrimas
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Ha tenido que pasar más de un año para que vuelva a aparecer por aquí,
seguramente todos los amigos que seguían este blog lo han ido abandonando,
muchos a...
Pete Green - The Glass Delusion
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In my mind Pete Green has been around forever – I interviewed him on this
blog 6 (!) years ago – but after checking I now know it’s true: this is
really ...
Advent Day1 Rudolf's not very horny
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Advent Day1 Rudolf's not very horny
Originally uploaded by BLTP Photo
will be posting some new Xmassy pics and some ghosts of Christmas past
simple pleasures
LJUS - Vackraste på Östermalm
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This is a special boat session. To pu it simple: *25 musicians, 15 cameras
and, as usual, a boat.* This is *LJUS* in a really special gig at
Djurgårdsfärja...
hey hey honeypop show #1
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I'm putting on a show, all on my own, for the first time ever and well,
it's a hey hey honeypop thing. Hello. Please come to it you're in London.
It'll be ...
Parenthood
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No question, some 80s movies do not stand the tests of time and memory.
Risky Business. Mannequin. Anything starring Steve Guttenberg. But others
that you ...
Eileen and the Tale of Teddy Terror
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Ever heard the fable about the happy squirrel who tried to do too much? The
happy little squirrel decided to help everyone else with their business
because...
A Friday night record
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So no comments for the Way of the West post. I can’t pretend I’m not
disappointed, they are pretty good records after all. I know just the thing
to get y...
My Indietracks 2012 compilation video
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It is mere days after the Indietracks 2012 music festival in Derbyshire and
I have finished editing my videos. As always I've made a couple of
compilation ...
That's Justice
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Perhaps it's timely, while much of the 'civilised' West hops up & down at
the beastliness of several Muslim countries - to note that the Scottish
courts ...
EAVIS & BUTT-HEAD DO GLASTONBURY
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Thanks once again to James Hood for this lovely picture summary of Adam &
Joe's Glastonbury shows. You can still catch the podcasts here. "Eavis &
Butt-h...
Vi tar en paus
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The Tram Session har tagit en paus. Kommer tillbaka! Under tiden kan du
kolla in min andra sajt:
*http://www.stockholmboatsessions.se/*
El Arte De Tomar Vino
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El acto formal de beber vino debe ser lento y ocioso; beber sin
restricciones debe tener algo de elegante y romántico. Beber vinos en
primavera debe tener ...
My Last Post
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Well thats it, Hot Hits is my last post. I could make a long speech about
blah blah blah, but i wont....hope the blog brought back some memories for
you, a...
Another Sad Loss
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I don't know what is happening this year as another musical hero of mine
died this week. Alex Chilton of The Boxtops and more famously Big Star died
on 17 ...
More than Standard Fare?
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Regrettably, it's taken me until now to pay attention to Sheffield's Standard
Fare, a trio playing the type of crashing, simple pop with sassy girl
vocals ...
Brighter
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Back to Brighton and Sarah Records again today with *Brighter*, a lovely
little three piece who briefly illuminated the indie scene from 1989 to
1992 with ...
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